Cable #7

Cable #7

"WAITING FOR THE END OF THE WORLD," PART 1
When Bishop travels back to the present in search of intel that will aid his search for Cable and the mutant baby, he’s
intercepted by the X-Force! With Cyclops eagerly waiting to interrogate his former comrade, it would appear that the game is over for the time-traveling cop. So why is Bishop smiling? What trick does he have up his sleeve? And what does this mean for Cable and the baby?

WRITER: DUANE SWIERCZYNSKI
PENCILS: ARIEL OLIVETTI
COLORED BY: ARIEL OLIVETTI
COVER BY: ARIEL OLIVETTI

Price: $2.99

iFanboy Community Pick of the Week Percentage: 1.1%

Reviews

User Added Spoilers  
Templar 10/02/08 Yes Read Review

145

pulls

Avg Rating: 3.6

Users who pulled this comic:

mototom ChrisB ZackConstantine Rich1204 Shaner

Comments

since when did bishop have a robot arm?

Posted by edward on 09/30/08 at 03:20 AM

Since his arm got blown off at the end of Messiah Complex.

Posted by theswordisdrawn on 09/30/08 at 08:39 AM

His arm was eaten by some mutant hunting beast thingie.

Posted by Viktorr on 09/30/08 at 11:43 AM

Does anyone really like Olivetti's art? I'm not judging if you do but I never hear anyone really say good things about his art style. I mean it's different, which is a plus, but it just looks too ugly for my tastes. It's just something about the skin tones or muscles he puts on the characters that upset me...But I cant put my finger on why I hate it.

Posted by TheNextChampion on 09/30/08 at 02:07 PM

@NextChampion - I totally dig Olivetti's art. I see your points and understand them, but I generally have no problems with his art until he has to include a vehicle. When a car comes into play, it's an ugly computer-generated oddity that stands out like a giant mole. Also, he does indeed tend to add a few too many muscles, though I thought it worked for his War Journal run. I find that his art is at its best when he's not a rush.

Posted by J4K3 on 09/30/08 at 06:17 PM

I don't really dig his art much.  And I also stopped following this series after the frist arc.  Has it gotten any better?

Posted by drakedangerz on 09/30/08 at 08:31 PM

Well I'm really just basing his art from War Journal since that's the only thing I've seen of his work. I dont know it just seems a little off to me. Sometimes it looks nicely detailed, but then other times it isnt and the backgrounds look like watercolor to me. Speaking of background: Does he use a computer to copy and paste things on this is art? I swear it looks like he uses photoshop and if he isnt, then he must be a person with OCD cause the attention to detail is staggering.

Posted by TheNextChampion on 10/01/08 at 12:08 AM

I got a bit of deja vu for the 90's seeing that Cable was the top pulled Marvel book this week.

Posted by TomO on 10/01/08 at 07:54 AM

every comic book out today uses Photoshop in some way or another.  I thought the art in this issue was pretty cool. Very 'Lolita' ending.  

Posted by Kimbo on 10/01/08 at 04:28 PM

dude hardcore

Posted by edward on 10/01/08 at 11:52 PM

im not a big fan of the art.  i don't hate it but it doen't do anything for me either.  the story is getting a little better though.  felt like it was moving

 

Posted by CaptianJack on 10/02/08 at 12:46 AM

It's kinda wierd that the top pulled Marvel book isn't even in the top ten pulled books.

Posted by kingyouth412 on 10/04/08 at 06:24 AM

I really liked this issue.  It was really cool seeing Cable dressed up in overhauls.  I like Olivetti's art, but it does seem a bit "distant" if you kind of get what I am saying.  It isn't as defined as other art, but it works really well with expansive areas and seems to work well in fight scenes.  

Posted by Skullbine on 10/19/08 at 04:58 AM

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